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Raleigh’s Gregg Museum of Art & Design features Photography Show by Alum Martha Strawn

Published May 4, 2022

Across the Threshold of India – Photographs by Art Alum Martha Strawn, features photographs that make up a work of visual ecology that perceptively portrays one of India’s and the world’s longest and least-known religious practices—the art of sanctifying space through the creation of threshold diagrams. Objects from the Gregg Museum’s permanent collection will also accompany the photographs. Many of Strawn’s photographs are in the permanent collection of the Indira Gandhi National Centre for the Arts, the nation’s foremost research center for Indian culture and art, and are featured in her book, Across the Threshold of India: Art, Women, and Culture.

The exhibition opens Thursday, March 31 and runs through November 12, 2022. Join her May 19 for a special artist’s talk.

Martha A. Strawn (BA 1967) is Professor of Art Emerita at the University of North Carolina in Charlotte and a photographer based in North Carolina and Florida who is recognized worldwide for combining aesthetic and scientific inquiries into the study of place that she calls visual ecology. She co-founded The Light Factory Contemporary Museum of Photography and Film in Charlotte, and she has served on numerous boards throughout her career, including Friends of Photography and the Center for the Study of Place. She received a Fulbright Fellowship to India and also a National Endowment for the Arts Fellowship in photography. Her work is exhibited internationally in both art and science museums, among them the Southeastern Center for Contemporary Art, Smithsonian Institution, Science Museum of Minnesota, San Diego Museum of Natural History, Princeton Art Museum, National Geographic Society Museum, Museum of Florida Artists, Mint Museum of Art, Indira Gandhi National Centre for the Arts, Halsey Institute of Contemporary Art at the College of Charleston, and Carnegie Museum of Natural History. Her books include Alligators, Prehistoric Presence in the American Landscape (1997) and, with Yi-Fu Tuan, Religion: From Place to Placelessness (2009).